Iain Armstrong
Iain Armstrong is a Scottish composer/sonic artist specialising in works for the electroacoustic medium.

Simon Scardanelli
Simon Scardanelli has composed and performed music since the age of 16. His rock music has been released internationally, and film composition credits include "Dead Man's Curve (The Curve -USA, 1999) & “I Shot a Man in Vegas” (USA, 1998). A full discography can be found at www.scardanelli.com

Dugal McKinnon
A New Zealand born composer of instrumental, electroacoustic, radiophonic and music-theatre works, Dugal's music has received performances in New Zealand, Australia, Canada, the United States, Germany, England and Slovenia.
dugal_mckinnon@hotmail.com

Antti Saario
born 1.1.1974 Lahti, Finland, acousmatician.
"With B-Side I found myself caught between zero and one."
acousmatic@hotmail.com

Derek Thompson
Thompson has been releasing material as Hoodlum Priest since the 1990 album “Heart of Darkness” on ZTT. He recently created the music for the closing credits of the Dogme 95 film “The King is Alive” (Dogme 4).
www.hoodlumpriest.com

Steven Naylor
Steven Naylor composes electroacoustic and instrumental music for concert performance, theatre, and other media. He is a long-time
composer/performer member of the Canadian new music collective 'Upstream' (piano, seljefløte and electronics). Naylor has taught electroacoustic music at Dalhousie University since 1994.
Steven.Naylor@sonicart.ca

Peter Batchelor
Peter Batchelor read Music at the University of Wales Bangor, studying electroacoustic composition with Andrew Lewis and graduating in 1996. His works have received performances and recognition worldwide (Bourges 1997/8, CIMESP'97/'99).
web.bham.ac.uk/pjb747

James Bentley
James Bentley studied composition with James Dillon, Mike Vaughan, and Jonty Harrison, and has attended composition courses at Darmstadt, Apeldoorn, and Ircam. He has also collaborated with French video artist Pierre Huyghe on a video documentary about Birmingham.

Jamie Bullock
Jamie Bullock has composed music for dance, theatre, and art installations as well as writing both tape and instrumental music for concert performances. He has also developed several innovative performance interfaces for controlling sound synthesis. also.as/postlude/